Lighting Design

Because the main energy of visual sto­ry­telling is light, I have stud­ied light for many years. Get­ting for­mal train­ing with grip and elec­tric gear in film school and my intern­ship at Cinepart­ners Grip and Elec­tric rental house, I was equipped with the knowl­edge of the lights used in pro­duc­tion.  Sev­eral years work­ing as a gaffer and light­ing assis­tant has given me the abil­ity to uti­lize those tools to use light to the advan­tage of the story.  Light is one of my favorite toys.

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EQUIPMENT

500W, 1000W tung­sten

750w spot­light

Day­light CFL soft­box set

Day­light 500w LED panel

Light­ing and Grip Van — Ford Tran­sit Con­nect

DAYLIGHT:

com­pact Flo­res­cent soft­boxes

500w LED

75w Light pan­nel

2x 100W bat­tery pow­ered hot­shoe lights.

TUNGSTEN

1K Fres­nel

1K broad light

Leko spot­light

4 Par Cans

Over­head Pro­jec­tor

Stingers

Gels

GRIP

C-stand

2x Baby Rollers

8x photo / video stands

Sand­bags

clamps, clips, cucalorus

Fog Machine

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